(See my biography page for more information).


Publications:
The Semiography of Iago, the Merchant of Venice: Liminality, Abjection, and the Imagery of the Mediterranean in Othello, the Moor of Venice

The paper employs semiography as a combination of iconology and the postsemiotics of the speaking subject in order to investigate the representational logic of liminality and abjection in Othello.

Article: Print

$US10.00

Article: Electronic

$US5.00